I know this sounds strange,
but I’ve said it anyway.
What now? The act is done.
You’ve read it, and that alone
makes you aware of an in-joke.
The joke’s on the lyrist.
But still, he writes verses.
I know this doesn’t sound any better,
but I’ve written it anyway.
Take it or leave it, the act is done.
Words are symbols, before any meaning.
That’s the spirit—are you leaning or steering?
Would you expect me to toe the lines?
I own my winding lines.
Since I have some time now, I’ve put together this anthology for you all. If you think my effort is worth it and the quality is good, feel free to buy me a coffee, there’s a button at the end too. Feel free to share this post and comment too.
I’ve also added a few extra poems that you might not have seen before.
I’m testing an intricate idea here. This post is a single post with a collection of poems separated by pages (you might see page breaks depending on where you are reading this), with chapters and titles organized by the appropriate headings (no hyperlinks). Call it my postfolio; it’s a post analogous to a book.
Welcome to a journey through language, writing, and the metatextual world of poetry. We’ll explore how language can be both a creative tool and a barrier. From the playful frustration of crumpled drafts to the powerful imagery of ink and blood, these verses challenge traditional forms, blending free verse with deliberate constraints.
The author
“Did I read that right?
Is it what you had written,
or echoes of my mind?”
It’s that what I did write.
For writers don’t just inscribe on paper;
they engrave words into minds,
only if (if only?) they are strong-willed.
“But, writer (lucky bastard!),
your persona warrants your safety
while your words break people’s heart.”
Reveries That I Call Poetry 