Adult life sucks.
When you’d have the strength
to fight wrongdoers,
to keep your stance,
you’re just too busy
dealing with your traumas,
battling your demons,
feeling like the one to blame‒
every other day.
Any other day I’d write a wonder.
Not today.
—
There’s no use…
misused.
I could have used
a little help.
—
At times,
I can’t help but cry.
What could help but try?
—
A lot more to say;
This isn’t where I end‒
only where discretion starts.
—
Gaslit mind, mine is blind.
Sunlit eyelids, covered eyes.
Afterimage, booby prize.
It couldn’t be any different,
Out of sight, out of mind.
A snap of a finger (hypnotic drive).
Brainstorming impulse; cloudy eyes.
While karma’s a bitch,
trauma is its son.
Creativity is a burden;
It might as well die.
All the photos I refused to take,
All the group photos I was left out of,
Aren’t making it any better;
The negatives neither.
I didn’t put faith in this,
But I realized I was soaring high—
When I saw that I had sunk so low.
I was no bird of prey.
An early bird, but no pray.
And I couldn’t cut it.
Even so, I could have my cake and eat it.
I had a strong
Sense of my own.
I can’t seem to find the right title today—this one will do.
Since I have some time now, I’ve put together this anthology for you all. If you think my effort is worth it and the quality is good, feel free to buy me a coffee, there’s a button at the end too. Feel free to share this post and comment too.
I’ve also added a few extra poems that you might not have seen before.
I’m testing an intricate idea here. This post is a single post with a collection of poems separated by pages (you might see page breaks depending on where you are reading this), with chapters and titles organized by the appropriate headings (no hyperlinks). Call it my postfolio; it’s a post analogous to a book.
Welcome to a journey through language, writing, and the metatextual world of poetry. We’ll explore how language can be both a creative tool and a barrier. From the playful frustration of crumpled drafts to the powerful imagery of ink and blood, these verses challenge traditional forms, blending free verse with deliberate constraints.
The author
circumstantial nomad
automaton in the desert
while there is breath of wind
I tend to aim for a balance between literal translations and formal equivalence. In this case I can only say that both the original and its English version have cool distinctive free rhythms.
The original, in case you wonder:
Autômato
nômade circunstancial
autômato no deserto
enquanto há fôlego de vento
Reveries That I Call Poetry 